sabotabby (![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
sabotabby) wrote2025-05-28 06:42 am
sabotabby) wrote2025-05-28 06:42 am
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Reading Wednesday
Just finished: Bad Cree by Jessica Johns. I really enjoyed this one, with the caveat that it was hyped to me as the most disturbing thing, read it before giving it to a student, etc., and it was a very different (if very good) kind of book. Though possibly my calibration for disturbing is way off. I did find it a very strong story about family and community vs. extractive industries and the MMIWG epidemic, and one of the best use of dreams in fiction I've seen since we all decided that kind of thing was gauche.
What Feasts At Night by T. Kingfisher. I enjoyed this one too. After barely surviving the events of the first book, our lead and ka (?) companions return to their home (fictional) country, where the caretaker of the estate has suddenly died. The villagers won't go near the place and claim that it's haunted by a creature that sits on your chest and sucks out your breath. So, they have to fight it, all while dealing with PTSD from the war. Fun stuff.
Two things I particularly liked about this: 1) it actually was disturbing as shit, especially the scene with the horses. 2) this is kind of the reverse of what I complained about with Someone You Can Build a Nest In in terms of queernormative fantasy settings. The imaginary country is integrated into the Serbo-Bulgarian War, but it is clearly a country with different norms, myths, and traditions. The novella has a nonbinary lead, and this identity is important and plays a role in their backstory, but it also has a different meaning and definition that in would have in our world (it's important to note that this is queernormative and Alex doesn't appear to be discriminated against in their society, but there are still gendered expectations and roles). It contributes to the worldbuilding as well, so there are different pronouns for both God and priests, and that adds interest rather than erases difference. Anyway, it is pretty cool.
Currently reading: The Siege of Burning Grass by Premee Mohamed. This one was also really hyped up and I can see why. There's a longstanding war between two empires: Varkal (which is kind of industrial-age but uses genetically altered animals as its technology) and Med’ariz (which has floating cities and more technologically based weapons). The causes and parameters of this war are deliberately fuzzy to the POV characters, but Med'ariz seems to be winning. Alefrat, the leader of the pacifist resistance in Varkal, is blown up, kidnapped, and imprisoned by his government, and let out on the condition that he travel to the Med'ariz front line, infiltrate them, and create the same kind of grassroots uprising that he did in Varkal. He's accompanied by Qhudur, a brutal soldier/prison guard.
This is very good so far; it pulls no punches either in its depiction of war or its depiction of disability (Alefrat's leg was blown off before the story begins, and there's a bizarro doctor who had started to regrow it with wasps, and the entire thing is very nasty). It's definitely problematizing pacifism and its role in defanging political movements, though I am not sure where the author/narrative is ultimately going to fall on this. It feels like a slog, and this is intentional; every inch of the characters' journey is painstakingly fought for, and you feel it.
What Feasts At Night by T. Kingfisher. I enjoyed this one too. After barely surviving the events of the first book, our lead and ka (?) companions return to their home (fictional) country, where the caretaker of the estate has suddenly died. The villagers won't go near the place and claim that it's haunted by a creature that sits on your chest and sucks out your breath. So, they have to fight it, all while dealing with PTSD from the war. Fun stuff.
Two things I particularly liked about this: 1) it actually was disturbing as shit, especially the scene with the horses. 2) this is kind of the reverse of what I complained about with Someone You Can Build a Nest In in terms of queernormative fantasy settings. The imaginary country is integrated into the Serbo-Bulgarian War, but it is clearly a country with different norms, myths, and traditions. The novella has a nonbinary lead, and this identity is important and plays a role in their backstory, but it also has a different meaning and definition that in would have in our world (it's important to note that this is queernormative and Alex doesn't appear to be discriminated against in their society, but there are still gendered expectations and roles). It contributes to the worldbuilding as well, so there are different pronouns for both God and priests, and that adds interest rather than erases difference. Anyway, it is pretty cool.
Currently reading: The Siege of Burning Grass by Premee Mohamed. This one was also really hyped up and I can see why. There's a longstanding war between two empires: Varkal (which is kind of industrial-age but uses genetically altered animals as its technology) and Med’ariz (which has floating cities and more technologically based weapons). The causes and parameters of this war are deliberately fuzzy to the POV characters, but Med'ariz seems to be winning. Alefrat, the leader of the pacifist resistance in Varkal, is blown up, kidnapped, and imprisoned by his government, and let out on the condition that he travel to the Med'ariz front line, infiltrate them, and create the same kind of grassroots uprising that he did in Varkal. He's accompanied by Qhudur, a brutal soldier/prison guard.
This is very good so far; it pulls no punches either in its depiction of war or its depiction of disability (Alefrat's leg was blown off before the story begins, and there's a bizarro doctor who had started to regrow it with wasps, and the entire thing is very nasty). It's definitely problematizing pacifism and its role in defanging political movements, though I am not sure where the author/narrative is ultimately going to fall on this. It feels like a slog, and this is intentional; every inch of the characters' journey is painstakingly fought for, and you feel it.
real ones by Katherena Vermette. I really liked the other book I read by Vermette; this one is better. It's about two sisters, June and lyn, whose father is Michif and mother is white. Said mother, Renee, is an acclaimed artist winning all the arts grants by pretending to also be Métis. When her identity is exposed, the sisters are not only faced with digging up the trauma of their childhood (this is nowhere near the only shitty thing Renee has done) but having their own identities, careers, and community ties thrown into question.
Pretendians are somewhat of a national obsession here, and I don't weigh into it much because it's not at all my business, and it's a source of pain for Indigenous folks that I don't want to accidentally aggravate. Besides just being a really good story, this is an amazing look into the psychology of someone who fakes Indigenous ancestry and how it affects everyone around her. I haven't seen this tackled in fiction at all and Vermette does it spectacularly. It's also weirdly relatable in the relationship that the sisters have with their mother—growing up with a mostly-absent conman father, I get how they can't bring themselves to cut off Renee entirely even when she wrecks destruction in their lives.
Also the look at the media and arts landscape of Canada is just spot on. Perfect. It's so good.
Pretendians are somewhat of a national obsession here, and I don't weigh into it much because it's not at all my business, and it's a source of pain for Indigenous folks that I don't want to accidentally aggravate. Besides just being a really good story, this is an amazing look into the psychology of someone who fakes Indigenous ancestry and how it affects everyone around her. I haven't seen this tackled in fiction at all and Vermette does it spectacularly. It's also weirdly relatable in the relationship that the sisters have with their mother—growing up with a mostly-absent conman father, I get how they can't bring themselves to cut off Renee entirely even when she wrecks destruction in their lives.
Also the look at the media and arts landscape of Canada is just spot on. Perfect. It's so good.